May 23 - August 18, 2024
Pera Museum presents the exhibition PƎRⱯ Reverse* in collaboration with Bauhaus-Universität Weimar’s "Practices and Politics of Representation" class, led by Prof. Mona Mahall with Yelta Köm, and Hochschule für Künste Bremen’s "Temporary Spaces" class of Prof. Aslı Serbest. The exhibition brings together multiple perspectives on current art spaces and their urban neighborhoods in Istanbul, moving between high and popular cultures. Departing from two paintings in the Suna and İnan Kıraç Foundation’s Orientalist Painting Collection, they explore global capitalist relations and localized cultural practices in art, as well as the role of architecture in both establishing and revealing the ways in which institutions mediate and operate in relation to their urban environments in a place and time.
PƎRⱯ Reverse consists of three parts, entitled "Globals", "Steps", and "Speculations". In “Globals”, adaptations of light signs, pools, a Guzmania plant, and the smell of detergent, mimic and expose the global city as a ruin, while the low-hanging chandelier borrowed from the Pera Museum’s Art Deco café emphasizes the institution’s glamorous fragility. “Steps” comprise the trauma that comes with the reality of representation, which fails to enact the world, or in this case, the complex and fragmented urban topography of the Pera area, full of different stairs and ramps. They make seem absurd the universalist dream of form and norm promoted by Bauhaus modernism in particular and a Westernized modernity in general, with its linear concepts of progress, the nation-state, and the rigid politics of physical and metaphysical borders. “Speculations” comment on the increasingly abstract and transnational processes of global economic, political, and aesthetic speculation and valuation that perform violence differently –through ongoing operations of unequal exchange. By exploring the local non-profit art spaces and engaging cultural workers and visitors in a public program, the exhibition speculates on alternative values.
* PƎRⱯ Reverse propose themselves as an institution, that is, in a process of self-instituting a set of shared practices, to explore the role of (cultural) institutions in different places in a world that is both increasingly connected and fractured. They bring together a shifting group of artists, architects, and researchers from Istanbul, Ankara, Izmir, Tehran, Hong Kong, Osaka, Berlin, Bremen, Weimar, and other German cities.
Contributors
Anıl Aydınoğlu, Arın Aydın, Aslı Serbest, Ayça Tuğran, Çisel Karacebe, Celal Orkun Gözübüyük, Dorian Beer, Elizaveta Boucke, Elif İmre Bilgin, Helen Christina Hümmer, Iben Schneider, Jolina Mix, Çisel Karacebe, Jisu Kim, Kitman Yeung, Leonie Link, Mona Mahall, Negar Rahname, Talia Ölker, Yelta Köm, Yuhe Lin
Image Credits
Collective Work
Fragments from Contact Zines
Leonie Link
Porous Borders Bordüre
Ayça Tuğran
Ethnic Set
Collective Work
Fragments from Contact Zines
Leonie Link
Porous Borders Bordüre
3D Virtual Tour
Exhibition Catalogue
PƎRⱯ Reverse Exercises in Spaces and Texts brings together multiple perspectives on current art spaces and their urban neighborhoods in Istanbul, moving between high and popular cultures. Organized in collaboration with Bauhaus-Universität Weimar’s “Practices and Politics of Representation” class, led by Prof. Mona Mahall with Yelta Köm, and the University of Arts Bremen’s “Temporary Spaces” class of Prof. Aslı Serbest, PƎRⱯ Reverse consists of three parts, entitled “Globals”, “Steps”, and “Speculations”. Departing from two paintings in the Suna and İnan Kıraç Foundation’s Orientalist Painting Collection, the exhibition also explores global capitalist relations and localized cultural practices in art.
Pera Learning
Parallel to PƎRⱯ Reverse, the program offers fun, creative, and inspiring exhibition tours and workshops for adults of all ages.
The program parallel to PƎRⱯ Reverse includes enjoyable workshops for adults of all ages, focusing on deconstructing and reconstructing the existing structure through various disciplines.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)