}

Owl's Frames

July 25 - August 31, 2008

Mimar Sinan Fine Arts University's Department of Photography, celebrated the 30th  anniversary of its inauguration, in 2008 at the Pera Museum. The exhibition comprised of a selection of photographs by 67 graduates.

The Institute of Photography epitomized the institutionalization of photography education in Turkey. Photography clubs had been established prior to the inauguration of the Institute and classes were offered in a number of other institutions; however, the implementation of a four-year undergraduate education in photography was only realized in 1978. Cafer Türkmen, one of the co-founders and first professors of the school, describes those years as follows: “Two hundred people applied to the program the first year. We were only able to admit fifteen. We began teaching in an old commercial building in Salıpazarı, behind the present-day location of The Department of Traditional Turkish Handicrafts. It was a three-storey building, accessed by 70-80 steps. We shared the same building with the Department of Traditional Turkish Handicrafts. The lowest floor was allocated to the inflammable film archives of the Institute of Cinema and Film, and also included a dormitory for the single employees of the school.” (Saliha Dıraman, Cafer Türkmen exhibition catalogue, 2002).

In the thirty-year-long period, the Department of Photography had over three hundred graduates. While this exhibition, as one of the reunion events of the Department’s 30th anniversary celebrations, commemorates the establishment of the institution as well as its alumni, it also shares with viewers the works of its graduates, who have been working professionally for many years in the field of photography.

Exhibition Catalogue

Owl's Frames

Owl's Frames

Mimar Sinan Fine Arts University's Department of Photography, founded on July 13th, 1978 as the Institute of Photography, under the auspices of İstanbul Fine Arts Academy, Department of...

Félix Ziem (1821-1911) A nomadic, unclassifiable, and eccentric artist

Félix Ziem (1821-1911) A nomadic, unclassifiable, and eccentric artist

French artist Félix Ziem is one of the most original landscape painters of the 19thcentury. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined. 

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

Shaping Forms  The Migrant Body / Shaping Ideologies

Shaping Forms The Migrant Body / Shaping Ideologies

Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.