}

Mehmed The Hunter’s Imperial Procession

Paintings commissioned by the 17th century Swedish Ambassador Claes Rålamb

June 1 - October 1, 2006

Sultan Mehmed IV, remembered as Mehmed the Hunter owing to his passion for hunting, departed for Edirne, in 1657 on a hunting expedition. The large entourage that accompanied him was a display of imperial majesty that has been preserved for history as a visual document in the form of a series of oil paintings commissioned by Claes Rålamb, then the Swedish Ambassador to Istanbul.

This almost cinematographic record consisting of a total of twenty paintings is preserved at the Nordiska Museet, Sweden. Sixteen of the paintings that are part of this visual register returned to Istanbul nearly three hundred and fifty years after this event as the guests of the Pera Museum.

Exhibition Catalogue

Mehmed The Hunter’s Imperial Procession

Mehmed The Hunter’s Imperial Procession

Sultan Mehmed IV, remembered as “Mehmed the Hunter” because of his passion for hunting, departed for Edirne in 1657 on a hunting expedition with a large entourage in a display of imperial majesty...

Midnight Stories: Hotel of Retro Dreams <br> Doğu Yücel

Midnight Stories: Hotel of Retro Dreams
Doğu Yücel

He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison. 

Paula Rego in Istanbul!

Paula Rego in Istanbul!

We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”

A Night at Pera Museum

A Night at Pera Museum

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.