Manolo Valdés

Paintings and Sculptures

May 8 - July 21, 2013

A leading figure of Spanish Pop Art, Manolo Valdés was at Pera Museum with a selection of works that extend from the 1980s to the present.

Organized in collaboration of Marlborough Gallery New York, the exhibition was comprised of a selection of the artist’s paintings and sculptures. Renowned particularly for the diversity of his media, his large-scale works, and quests in form, Valdés is hailed as one of the great masters of contemporary Spanish art.

Following the dissolution of Equipo Crónica, the pioneering group of Pop Art in Spain, which he co-founded, Valdés continued his career solo as of 1982. His works derive their strength from the masterpieces of the past, bear historic clues, colors, and textures, and make strong references to art history, carrying traces that extend from Velázquez to Zurbarán, and from Matisse to Picasso and Lichtenstein.

Stripping a painting from its original context and reinterpreting it through Pop Art, the artist primarily focuses on figures, objects, and series.

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Manolo Valdés

Manolo Valdés

Manolo Valdés: Paintings and Sculptures exhibition was comprised of a selection of the artist’s paintings and sculptures. Renowned particularly for the diversity of his media, his...

Video

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.