May 8 - July 21, 2013
A leading figure of Spanish Pop Art, Manolo Valdés was at Pera Museum with a selection of works that extend from the 1980s to the present.
Organized in collaboration of Marlborough Gallery New York, the exhibition was comprised of a selection of the artist’s paintings and sculptures. Renowned particularly for the diversity of his media, his large-scale works, and quests in form, Valdés is hailed as one of the great masters of contemporary Spanish art.
Following the dissolution of Equipo Crónica, the pioneering group of Pop Art in Spain, which he co-founded, Valdés continued his career solo as of 1982. His works derive their strength from the masterpieces of the past, bear historic clues, colors, and textures, and make strong references to art history, carrying traces that extend from Velázquez to Zurbarán, and from Matisse to Picasso and Lichtenstein.
Stripping a painting from its original context and reinterpreting it through Pop Art, the artist primarily focuses on figures, objects, and series.
gallery wall paint sponsor
Exhibition Catalogue
Manolo Valdés: Paintings and Sculptures exhibition was comprised of a selection of the artist’s paintings and sculptures. Renowned particularly for the diversity of his media, his...
Video
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
