Language of the Wall

Graffiti / Street Art

August 13 - October 5, 2014

Pera Museum hosted, for the first time in Turkey, an exhibition on one of the art world’s hottest topics – Graffiti and Street Art. Work from America and Europe were exhibited, providing interesting examples examining the concept of ‘graffiti’ and ‘bringing the street to the museum’, as well as creating a platform for discussion and debate.

Hosting more than 20 artists from America, Germany, France, Japan, as well as Turkey, the exhibition, curated by Roxane Ayral, included works by distinguished names from different generations and disciplines such as Futura, Carlos Mare, Cope 2, Turbo, Wyne, JonOne, Tilt, Mist, Psyckoze, Craig Costello (aka KR), Herakut, Logan Hicks, C215, Suiko, Evol, Gaia, Tabone, Funk and No More Lies, along with selected photographs from the archive of leading artists Martha Cooper, Henry Chalfant and Hugh Holland.

Exhibition Catalogue

Language of the Wall

Today, graffiti and street art have moved out of their underground era and are no longer recognized as vandalism, but rather as a global art movement. Since the 1990s, the appreciation for...

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Video

For more videos take a look at our YouTube channel.

We Rule the Streets!
Life, Art, Music

This diverse selection of films with different genres and themes all come under the same roof of how humanity has created an indelible relationship with the one and only pathway, the street. From living to surviving, to creating and performing, to cherishing, listening and moving each film explores the street through a specific angle

We Rule the Streets!<br/>Life, Art, Music

Souvenirs of the Future

You try to remember the future. A bird painted on the ceramic panel in a historical palace has found its place on the wall. The tiles of a church and a mosque have been painted on canvas. The pattern of a centuries-old ceramic plate appears before you on a velvet curtain.

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed!

Language of the Wall