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Language of the Wall

Graffiti / Street Art

August 13 - October 5, 2014

Pera Museum hosted, for the first time in Turkey, an exhibition on one of the art world’s hottest topics – Graffiti and Street Art. Work from America and Europe were exhibited, providing interesting examples examining the concept of ‘graffiti’ and ‘bringing the street to the museum’, as well as creating a platform for discussion and debate.

Hosting more than 20 artists from America, Germany, France, Japan, as well as Turkey, the exhibition, curated by Roxane Ayral, included works by distinguished names from different generations and disciplines such as Futura, Carlos Mare, Cope 2, Turbo, Wyne, JonOne, Tilt, Mist, Psyckoze, Craig Costello (aka KR), Herakut, Logan Hicks, C215, Suiko, Evol, Gaia, Tabone, Funk and No More Lies, along with selected photographs from the archive of leading artists Martha Cooper, Henry Chalfant and Hugh Holland.

Exhibition Catalogue

Language of the Wall

Language of the Wall

Today, graffiti and street art have moved out of their underground era and are no longer recognized as vandalism, but rather as a global art movement. Since the 1990s, the appreciation for...

Video

We Rule the Streets!
Life, Art, Music

This diverse selection of films with different genres and themes all come under the same roof of how humanity has created an indelible relationship with the one and only pathway, the street. From living to surviving, to creating and performing, to cherishing, listening and moving each film explores the street through a specific angle

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.