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Jean Dubuffet

Encounter with a Major XXth century Artist

October 26, 2005 - January 8, 2006

Imprinting fascinated Jean Dubuffet for over forty years and is an integral part of his creative oeuvre. Throughout his life, in certain intense and active phases, he would not cease to explore the range of different techniques that could be utilized in printing and most of all those of lithography, interpreting and inventing new methods, as to better meet his needs. According to a set of associations and logic distinctive to this artist, each discovery led him directly to a rich field of developments into which he was to rush with perpetual sense of wonder, ignoring the limits of these new fields of investigation.

Created between 1944 – 1984 a selection of the artist’s works were exhibited for the first time at Pera Museum.

Curator: Meira Perry-Lehmann

Exhibition Catalogue

Jean Dubuffet

Jean Dubuffet

Imprinting fascinated Jean Dubuffet for forty years and it is indissolubly a part of his creative oeuvre. Throughout his life, in certain intense and active phases, he would not cease to explore...

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.