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Jean Dubuffet

Encounter with a Major XXth century Artist

October 26, 2005 - January 8, 2006

Imprinting fascinated Jean Dubuffet for over forty years and is an integral part of his creative oeuvre. Throughout his life, in certain intense and active phases, he would not cease to explore the range of different techniques that could be utilized in printing and most of all those of lithography, interpreting and inventing new methods, as to better meet his needs. According to a set of associations and logic distinctive to this artist, each discovery led him directly to a rich field of developments into which he was to rush with perpetual sense of wonder, ignoring the limits of these new fields of investigation.

Created between 1944 – 1984 a selection of the artist’s works were exhibited for the first time at Pera Museum.

Curator: Meira Perry-Lehmann

Exhibition Catalogue

Jean Dubuffet

Jean Dubuffet

Imprinting fascinated Jean Dubuffet for forty years and it is indissolubly a part of his creative oeuvre. Throughout his life, in certain intense and active phases, he would not cease to explore...

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Today's Stories: Felis <br> Hande Ortaç

Today's Stories: Felis
Hande Ortaç

Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.