}

Fundamentally Human

Contemporary Art and Neuroscience

April 7 - July 3, 2011

Fundamentally Human: Contemporary Art and Neuroscience exhibition brought the work of seven contemporary artists to the fore, whose work addresses aspects of the neurological sciences. Curated by BFA Fine Arts Department Chair of the School of Visual Arts in New York Suzanne Anker, the exhibition included works by the artists Suzanne Anker (USA), Andrew Carnie (UK), Rona Pondick (USA), Michael Joaquin Grey (USA), Michael Rees (USA), Frank Gillette (USA) and Leonel Moura (Portugal).

Each interdisciplinary artist essentially employed new technologies ranging from robotics, 3-D scanning, Photoshop, rapid prototyping, microscopy and computational video. All were concerned with the mysteries and unity of nature and its processes, the transmission of knowledge and beliefs, and the reveries of human metaphors of being in time. As the artists incorporated such metaphors invoked by matter, perception and memory, their discrete personifications are framed within a symbolic narrative.

The exhibition combined science and art; inviting visitors to view art through a scientific perspective; viewers were able to understand and question the strong connection between contemporary art and neuroscience.

Artists: Suzanne Anker, Andrew Carnie, Frank Gillette, Michael Joaquin Grey, Leonel Moura, Rona Pondick, Michael Rees

Exhibition Catalogue

Fundamentally Human

Fundamentally Human

Fundamentally Human: Contemporary Art and Neuroscience exhibition catalogue brings the work of seven contemporary artists to the fore, whose work addresses aspects of the neurological...

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”. 

Is he sping on us?  <br>Vajiko Chachkhiani

Is he sping on us?
Vajiko Chachkhiani

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.