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From Konstantiniyye to Istanbul

Photographs of the Anatolian Shore of the Bosphorus from the mid XIXth Century to XXth Century

January 21 - April 1, 2012

The exhibition featured works by masters of photography, who practiced their art in Iİstanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and İnan Kıraç Foundation Photography Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Iİstanbul past. Iİstanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.

Exhibition Catalogue

From Konstantiniyye to İstanbul

From Konstantiniyye to İstanbul

The exhibition catalogue showcases works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century....

Video

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.

Geography

Geography

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.