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Extraordinary Minas

The Story of Inspiration and Innovation in Kütahya Tiles and Ceramics

Minas Avramidis (1877–1954) was one of the extraordinary tile and ceramic masters of Kütahya, where the tradition of tile production had flourished since the Beylik period. Skilled in all aspects of traditional tile craftsmanship, Minas’s imagination, creativity, and curiosity led to his unique creations. 

One of the most striking examples of Minas’s creative world is his series of plates from the 1910s depicting the Genovefa Story. In this series, Minas drew inspiration from the narrative centered on themes such as faith and loyalty. He likely read the story in a late 19th-century Karamanlidika serial publication and saw it in a lithograph produced by Sotiris Christidis, which was widely circulated in Greek Orthodox neighbourhood coffeehouses. Drawing on the colors, motifs, and forms of Kütahya’s rich tile-making tradition, Minas skillfully blended tradition and innovation through his distinctive style, imparting a unique character to Kütahya’s tiles and ceramics. 

The exhibition Extraordinary Minas, presenting objects from Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection, examines the efforts of Kütahya masters in the late 19th and early 20th centuries to revive the disappearing craftsmanship of tile-making by focusing on a master and a group of his work. The exhibition explores the concepts of the master-apprentice relationship, tradition and innovation, and mass production versus craft through Minas Avramidis of Kütahya and his ceramic plate series illustrating the Genovefa Story. It challenges the conventional imagery of Kütahya tiles and ceramics while shedding light on the stories of masters who dispersed to Kütahya, Athens, Thessaloniki, and Jerusalem in the second quarter of the 20th century.  

 

Eser Künyeleri

Sotiris Christidis
The Story of Genovefa (Scene 3), 1900-1902
Chromolithograph
71.4 × 60 cm
Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Archive

Minas Avramidis
Plate, 1910-1915
Ceramic
35.5 × 5 cm
Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection

Vase, 1930-1940
Factory: Athens Kutahia Pottery Company Factory
Ceramic
16 cm
Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection

Plate, 1920-1930
Workshop: The Dome of the Rock Workshop (Jerusalem)
Ceramic
22.5 cm
Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection

 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.