October 21 - December 12, 2010
Csontváry was an artist poised at the turn of the twentieth century. The richness and complexity in his works cannot be characterized utilizing the conventions of stylistic categories. Realistic observation, emphasis on changing light, the decorative, orgiastic use of color characteristic of Post-Impressionism, the large-scale handling of form and the strong diffraction of the colors often appear simultaneously on the same canvas.
The exhibition invited us to discover the works of this extraordinary Hungarian artist, who wrote poetry with paintings that reflect his vision beyond the currents of the period, his unique colors, his symbolic narrative, and the ""divine voice"" he claims to have heard.
"As a schoolboy I hated memorizing by heart; I looked at the Bible as a tale, and I rather longed to be outside in nature to listen to the warbling of the nightingale, to gaze at a flower here and there, where the polliniferous petals were busy with whole swarms of butterflies, bees, bumblebees and insects."
Csontváry was an artist of the turn of the century. The richness and complexity in his works cannot be characterised based on stylistic categories. Realistic observation, emphasis on the changing...
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
Tuesday - Friday 11.00 - 17.00
The museum is closed on Saturdays,
Sundays and Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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