}

Collage Décollage

Doğançay / Villeglé

May 3 - July 13, 2008

Although from very different origins and cultures, Dogançay (born in Istanbul, Turkey, in 1929) and Villeglé (born in Quimper, France, in 1926) share the same interest in the city. Whereas Dogançay soon felt the need to travel and find out what was happening elsewhere, Villeglé moved to Paris and henceforth participated in the collective “Nouveau Réalisme” adventure. Although Dogançay’s art was originally based primarily on conventional pictorial practices –almost exclusively gouaches and watercolors, standing as a testimony to his numerous journeys– since the mid-1960s he has taken his themes uniquely from images and signs seen on the walls of the cities he has traversed. As of 1949, Villeglé’s art has been based on collecting a world of ready-made “paintings” that are offered to him by “anonymously torn posters” that he saw when exploring the city.

Collage [gluing, pasting] in the first case, décollage [tearing down, unpeeling] in the second: these two practices characterize two sets of attitudes that, if not parallel, converge, and summon up a world of colorful icons founded on the theme of the city or images, absorbed into uncompromisingly abstract compositions. The idea of bringing together two leading artists of their generation in the same exhibition aims to reveal to viewers the similarities, as well as the differences between Dogançay and Villeglé, whose works anticipate, in their own way, the arrival of “graffiti” art as part of the same aesthetic impulse.

Curator: Philippe Piguet

Exhibition Catalogue

Collage Décollage

Collage Décollage

Although from very different origins and cultures, Doğançay (born in Istanbul, Turkey, in 1929) and Villeglé (born in Quimper, France, in 1926) share the same interest in the city. Whereas the...

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

Game of Mangala

Game of Mangala

Three figures in Eastern dress are shown in repose against an exotic landscape, smoking pipes and playing mangala. Inventories of the royal collections from 1739 identify the members of this group as the royal eunuch Matthias and two odalisques.