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Around the World Under Glass

October 26, 2005 - January 8, 2006

A certain commonality from one country to another is inevitably in the work of folk artists from a shared artistic tradition. The naïve and pure-hearted quality of folk art is born of a common life lived on the land in close harmony with nature. Similarities and a shared tradition notwithstanding, the works created by folk artists are richly diverse.

Around the World Under Glass exhibition organized by the Pera Museum was an opportunity to view this startling diversity in works created by reverse - glass painters. The exhibition was a result of the efforts of Neveser Aksoy, and included works from the Bortaçina, Genim and Suna and İnan Kıraç collections. Together they represented an unprecedented and unforgettable opportunity for Turkey and the world.

The approximately 200 reverse-glass paintings selected for the exhibition and catalogue revealed the similarities and differences across geography, and drew attention to the unusual work of Anatolian reverse-glass artists.

Curator: Neveser Aksoy

Exhibition Catalogue

Around the World Under Glass

Around the World Under Glass

A certain commonality from one country to another is inevitably in the work of folk artists from a shared artistic tradition. The naïve and pure-hearted quality of folk art is born of a common...

Souvenirs of the Future

Souvenirs of the Future

You try to remember the future. A bird painted on the ceramic panel in a historical palace has found its place on the wall. The tiles of a church and a mosque have been painted on canvas. The pattern of a centuries-old ceramic plate appears before you on a velvet curtain.

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.