Tiles and Tales

Talk

February 1, 2024 / 18:30

What can a tile reveal to us from a cultural heritage? 

Pera Museum is delighted to be hosting an artist talk titled “Tiles and Tales” within the scope of Souvenirs of the Future, with exhibited artist Burçak Bingöl and architect and researcher Gertrud Olsson. The talk will focus on cultural heritage within the context of ceramics, traditions and identity; with Bingöl as an artist working intimately with ceramics and Olsson as the author of the book titled Den lilla skalan i den stora – kaklet i osmanska rum [The small scale in the large: Tiles in Ottoman rooms] (currently only available in Swedish). Art historian and art writer Seda Yörüker will moderate the talk.

Burçak Bingöl uses ceramics as a cultural material to construct psychological landscapes that deal with geography, memory, belonging, and representation. She utilizes familiar forms and images to visually render both Eastern and Western traditions. Since moving to Istanbul in 2010, she started working around the historical and geographical associations of the ceramic material. Throughout the years she has been working on a visual translation of traditional imagery and forms. Since 2017, the artist has been focused on a 16th-century çini panel at the Topkapı Palace and its cultural and artistic influences throughout China, the Ottoman Empire, and Europe along the Silk Road. Her work exhibited at Souvenirs of the Future titled Route Saz Yolu proposes a new interpretation in which its architectural, sensory, and conceptual relations to space open up a research field of visual exploration. 

Gertrud Olsson’s book deals with the long history of Ottoman tiles and highlights their importance in rooms and architecture, with a focus on the time spanning from the 13th to the 19thcenturies, and ends with questions about the heritage of today. Since the beginning of time, patterns and ornaments have been fundamental in all cultures, not only in Turkey. In the book, the ornament, the material and the story of craftspeople, the artists and architects who worked together to create the Ottoman tiled walls, meet. It aims to investigate how new know-hows are formed through the meetings between different cultures that have collaborated, as well as to bring attention to the character of tiles and their perceptual properties in a specific room. The cultural heritage perspective includes materiality as well as the immateriality perspectives of the art form of tiles. 

The event at Pera Museum Auditorium is free of charge and will be in Turkish and English. The simultaneous translation will be provided. No reservations are taken.

In collaboration with

Temporary Exhibition

Souvenirs of the Future

The exhibition focuses on the memories recalled through objects whilst exploring the connections between memory and future imaginings through a contemporary lens. The cultural and symbolic value and significance of objects taken as souvenirs, those that remind us of a certain place and time, or those that are collected, weave together personal journeys and the memory of the region. Instead of a nostalgic attachment to the past, it proposes contemplating how the future will be remembered and focuses on memory's future-oriented functions.

Souvenirs of the Future

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Serpent Head

Serpent Head

The Greek god Apollo and his son Asklepios presided over the realm of medicine and healing. Apollo was also the god of light and sun, whose solar symbolism and association with medicine would become linked to Christ the Physician, and the resurrected.