Marko Mäetamm, Alistair Hicks

Artist and Curator In Conversation

June 7, 2017 / 18:30

Join artist Marko Mäetamm and curator Alistair Hicks for a talk in relation to Pera Museum’s Doublethink: Double vision exhibition. Following Mäetamm’s live drawing of “How I Became an Artist”, he will discuss this process as well as his exhibited work “Alphabet of Lies” with curator Alistair Hicks.

Marko Mäetamm (b. 1965, Tallinn)is a painter, video and installation artist. Upon graduating from Estonian Academy of the Arts, he has exhibited internationally and represented Estonia at the 52nd Venice Biennial (2007) and at 50th Venice Biennial (2003) as a part of artists' duo John Smith (with Kaido Ole). Throughout his practice, the artist’s primary focus has been on family life. Treating the family as a microcosm of a wider socio-political and economic models, Mäetamm collects petty every-day situations, presenting them filtered through a prism of his unmistakable dark humour.

Free of admissions, drop in. This event will take place in the auditorium. The talk will be in English with simultaneous Turkish translation.

Temporary Exhibition

Doublethink
Double vision

Thinking has changed radically, but many people don't appear to have noticed. Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.

Doublethink <br>Double vision

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos. 

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.