Film Talk with Psychologist Meral Erten

Talk

November 10, 2023 / 21:00

Pera Film presents a selection of films by Bosnian director and screenwriter Pjer Žalica, entitled Traces of Time, as part of Bosnia and Sancak Cultural Days. On Friday, 10 November, after the screening of The Perfect Circle, clinical psychologist Meral Erten will present a film talk at the Pera Museum Auditorium.

Free admissions. Limited space, drop in, no reservations.

About Meral Erten
Meral Erten holds a Bachelor's degree in Psychological Counselling from Istanbul University and a Master's degree in Behavioural Sciences. She is a graduate of Bilgi University Clinical Psychology Master Programme. She continues her psychoanalysis training under the supervision of the International Psychoanalysis Association (IPA). After the films shown as part of the Cinema Evenings, which were presented in cooperation with Psike Istanbul and Moda Sahnesi and continued for 10 years, she discussed the films with psychoanalytic interpretation with the active participation of directors, actors, experts in their fields and the audience.

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

The Rat Tribe Sim Chi Yin

The Rat Tribe Sim Chi Yin

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.