Conversation with Director Eve Heller

Talk

September 21, 2024 / 18:20

As part of the The Dream of the Avant-Garde program, presented in collaboration with Othon Cinema and the Österreichische Kulturforum Istanbul, Pera Film showcases a selection of films by American director Eve Heller. Following the screening of the short film selection titled Poetic Manipulations on the same day, a discussion with Eve Heller will take place.

About Eve Heller
Avant-garde filmmaker Eve Heller was born in the United States, where she worked with both first and second-generation American experimental filmmakers such as Paul Sharits, Tony Conrad, Abigail Child, Peggy Ahwesh, and Peter Hutton. Since the late 1970s, Heller has created works characterized by their complexity and a deep curiosity about the artistic possibilities of film, especially about dreams, memory, and time. Her films regularly premiere at the New York Film Festival's "Views from the Avant-Garde" before being shown internationally. Since 2005, Heller has lived and worked in Austria. In 2018, she received the Niederösterreich Culture Prize for her contributions to experimental film. Her most recent film, Singing in Oblivion, premiered at the Museum of Modern Art in New York in 2021 and won the prestigious Mehrwert Award at the Viennale in 2022. Following the death of pioneering "found footage" filmmaker Phil Solomon in 2019, Heller and curator Mark McElhatten launched the Phil Solomon Project, dedicated to preserving and promoting Solomon's artistic and intellectual legacy.

The talk will be in English with Turkish consecutive translation. Free admissions. Limited space, drop in, no reservations.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

Midnight Horror Stories:  The Moon Pool <br> Işın Beril Tetik

Midnight Horror Stories: The Moon Pool
Işın Beril Tetik

About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster…