Children’s Day Concert

Concert

April 22, 2017 / 14:00

Pera Education is celebrating April 23 National Sovereignty and Children’s Day with a children’s concert!

In collaboration with the Children Art Center of Kadıköy Municipality, Pera Museum will present a concert with the Çhildren Art Center Chamber Orchestra of Kadıköy Municipality. The orchestra includes various instruments such as the violin, viola, cello, flute, oboe, saxophone, percussion, and the guitar, and will be accompanied by a small group from the Polyphonic Children’s Chorus of the Children Art Center.

Free admission; available seating is limited and no reservations will be taken. 

Johann Strauss Sr. - Radetzky March, Op.228
Johann Strauss Jr. – The Blue Danube Waltz
Josef Ivanovici – The Waves of Danube
Hammâmîzâde İsmâil Dede Efendi – Gülnihal
Hoş Gelişler Ola
İzmir March


in collaboration

Midnight Horror Stories:  The Moon Pool <br> Işın Beril Tetik

Midnight Horror Stories: The Moon Pool
Işın Beril Tetik

About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster… 

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.