ATOTAL

Performance

January 23, 2025 / 20:30

Pera Museum presents a multimedia performance titled ATOTAL as part of the exhibition In Search of Vera Molnár. The artist Antoine Schmitt, who is featured in the exhibition with the work titled “100 Square Ensemble” is collaborating with composer and musician Franck Vigroux for this performance.

Exploring the concept of hyper-synchronisation between sound and visuals, the elements are gradually deconstructed during the performance, which creates a dynamic interplay that challenges perceptions of reality. The performance engages the audience in a profound sensory experience.

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About ATOTAL
The total work of art, when pushed to its paroxysm of absolute coincidence of the perceptions of a captive spectator, is similar to the techniques of mental manipulation of totalitarian regimes, proceeding by annihilation of the critical mind, repetitive semantic pounding, subliminal messages. ATOTAL is an audiovisual show aiming to reconstruct in order to better deconstruct the processes of imposition of will by repetition and absolute synchronism, to propose a breach to a potentially life-saving decoincidence.

Franck Vigroux : Live music 
Antoine Schmitt : Live images 

Temporary Exhibition

In Search of Vera Molnár

In Search of Vera Molnár (À La Recherche de Vera Molnár) offered a close look at the practice of Vera Molnár, one of the pioneers of computer art, and brought together works by contemporary artists inspired by her work.

In Search of Vera Molnár

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.