April 4, 2015 / 14:30
Giacometti has always tried to see and capture reality. But he can’t. In his quest for reality, he chips away at his early sculptures, reducing them to nothingness. He eventually begins to work with “surreal” objects and revolutionizes the field. Shortly thereafter, however, he returns to the age-old problematic of aesthetics and attempts to discover the interaction between art and reality. He gets stuck with endless copies. He fails to complete his brother’s portrait and bust for five years, even though he works on them every day. He admits he “can’t even finish a head.” In the end, however, he creates an aesthetics, a philosophy out of this cul-de-sac of reality that imprisoned him. He inspires the existentialists as much as he does the surrealists.
Free of admissions. Conference language is Turkish.
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Ali Artun graduated from METU Department of Architecture. He is the founder and member of numerous associations in art and architecture. He took part in the establishment of Gallery Nev in 1984. Since then, he has organized numerous exhibitions for Gallery Nev in Ankara as well as other exhibitions in Ankara and Istanbul. He edited over a hundred titles published by Gallery Nev. Since 2002, he directs the “Art-Life” series that brings together works in cultural criticism, and teaches in the Graduate Program of Art History at ITU.
Pera Museum proudly announced the first major exhibition of sculptor and painter Alberto Giacometti in Turkey taking a retrospective approach. Organized in collaboration with the Giacometti Foundation, Paris, this exhibition explored Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece.
Click for more information about the exhibition.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
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