Performance
March 2, 2018 / 15:00
Pera Museum is presenting a month-long durational performance: A Handful of Rights by artist Aslı Uludağ. Inspired by Suna and Inan Kıraç Foundation Anatolian Weights and Measures Collection exhibition, and taking place over a month in the exhibition gallery of Intersecting Worlds: Ambassadors and Painters, the performance A Handful of Rights revisits the Universal Declaration of Human Rights on its 70th anniversary.
During this multi-phase performance, one by one the words contained in the Universal Declaration of Human Rights are erased from the Turkish dictionary, and are then translated into a numerical value based on their listing in this dictionary with participation from the gallery audience. These numbers are converted to the weight of wheat, reflecting an interpretation of the collective and settled lifestyle, proposed by this Universal Declaration of Human Rights. In the last stage of the performance, the artist aims to calculate the physical weight of the declaration based on the weight of the wheat.
The Universal Declaration of Human Rights was signed by the United Nations in 1948. Composed of thirty articles, this declaration provides the frame for equal rights, freedoms, and lifestyle for all people in the world regardless of their religion, language, race or gender. As the performance deconstructs and scrutinizes the declaration, the artist reinterprets this important text into various aspects, forms and concepts. The performance, in search for the lost meaning of words through a poetic and absurd approach, ironically takes place in the court of the ambassadors from the Ottoman era, whose portraits are displayed in the Orientalist Paintings Collection exhibition of the museum.
Aslı Uludağ’s A Handful of Rights performance is presented on the exhibition floor of the exhibition “Intersecting Worlds: Ambassadors and Painters” compiled from Suna and Inan Kıraç Foundation Orientalist Paintings Collection.
Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.
We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
Tuesday - Saturday 10:00 - 19:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
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