‘Cecil Beaton: Portraits’ with Merih Akoğul

Guided Tour

May 28, 2015 / 19:00

In this tour, organized in the context of the exhibition Cecil Beaton: Portraits, writer and photographer Merih Akoğul discusses Beaton’s place in the tradition of portrait photography. Having carried this genre to a different level with his intuitive approach and unique style, leading 20th-century photographer Beaton is presented through the portraits he captured of actors, writers, artists, politicians, and royal family members.

Admission: 30 TL
(Free for Friends of the Museum)

Please email peradostu@peramuzesi.org.tr to book your place. Please note that the tour language is Turkish.

Temporary Exhibition

Cecil Beaton

One of the most significant and multi-faceted photographers of the 20th century, Cecil Beaton’s (1904-1980) captivating portraits were exhibited for the first time in Turkey at Pera Museum.

Cecil Beaton

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.