Anatolian Weights and Measures Collection

Suna and İnan Kıraç Foundation Anatolian Weights and Measures Collection is comprised of almost ten thousand objects dating from prehistory to those used in present day Anatolia. Formed by Suna and İnan Kıraç as early as the 1980s, the collection provide a rich selection of the material culture of the various civilizations lived in Anatolia. Being home to objects used for measuring weight, length, and volume in every field, from land measurement to commerce, architecture to jewellery making, shipping to pharmacy, the collection aims to look at the rich culture of the Anatolia from an historical point of view.

Orientalist Painting Collection

Orientalist Painting Collection

Anatolian Weights and Measures Collection

Anatolian Weights and Measures Collection

Kütahya Tiles and Ceramics Collection

Kütahya Tiles and Ceramics Collection

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.

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Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.