New York after Paris

05 April 2016

Pera Museum is proud to present an exhibition of Giorgio de Chirico, a pioneer of the metaphysical art movement and one of the most extraordinary artists of the 20th century. This part of Giorgio de Chirico: The Enigma of the World exhibition, called “New Themes and Classical Painting Technique (1930-1940)” illustrates de Chirico’s departure from Paris to move to New York. 

Still Life with Knife, 1932, oil on canvas, 80 x 140 cm, Fondazione Giorgio e Isa de Chirico Collection, Rome

New Themes and Classical Painting Technique (1930-1940)

De Chirico’s heydays in Paris came to a dramatic end once the Great Depression wave of economic hardship arrived upon European shores. The Parisian art market and its seemingly incessant thirst for contemporary art at high prices all but dried up overnight. The subject-matter of the mid to late 1920s became difficult to sell, and de Chirico, encouraged by his newfound companion Isabella Pakszwer, began to look to the great masters with renewed vigour once again, with more traditional subjects and painting techniques returning to his artistic production. In search of more fertile terrain, de Chirico spent 1936-1937 living in New York. After several difficult years selling his work in Europe, the artist soon enjoyed the benefits of the favourable American art market. His return to Europe alternated in periods spent in Italy and Paris, owing to de Chirico’s disgust of the Fascist regime and their propagation of race laws. 

The Turk, 1935, oil on canvas, 36,5 x 46 cm, Fondazione Giorgio e Isa de Chirico Collection, Rome

Seascape near Genova, 1933, oil on canvas, 53 x 65 cm, Fondazione Giorgio e Isa de Chirico Collection, Rome 

Highlighting his various periods with examples from his earliest works to last ones, Giorgio de Chirico: The Enigma of the World exhibition took place at the Pera Museum between 24 February - 08 May 2016.

Medicinal Herbs in Byzantium

Medicinal Herbs in Byzantium

Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power. 

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.

Seaside Leisure

Seaside Leisure

Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle.