October 26, 2005 - January 8, 2006
Imprinting fascinated Jean Dubuffet for over forty years and is an integral part of his creative oeuvre. Throughout his life, in certain intense and active phases, he would not cease to explore the range of different techniques that could be utilized in printing and most of all those of lithography, interpreting and inventing new methods, as to better meet his needs. According to a set of associations and logic distinctive to this artist, each discovery led him directly to a rich field of developments into which he was to rush with perpetual sense of wonder, ignoring the limits of these new fields of investigation.
Created between 1944 – 1984 a selection of the artist’s works were exhibited for the first time at Pera Museum.
Curator: Meira Perry-Lehmann
Exhibition Catalogue
Imprinting fascinated Jean Dubuffet for forty years and it is indissolubly a part of his creative oeuvre. Throughout his life, in certain intense and active phases, he would not cease to explore...
In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
