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From Konstantiniyye to Istanbul

Photographs of the Anatolian Shore of the Bosphorus from the mid XIXth Century to XXth Century

January 21 - April 1, 2012

The exhibition featured works by masters of photography, who practiced their art in Iİstanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and İnan Kıraç Foundation Photography Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Iİstanbul past. Iİstanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.

Exhibition Catalogue

From Konstantiniyye to İstanbul

From Konstantiniyye to İstanbul

The exhibition catalogue showcases works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century....

Video

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Moscow Conceptualists

Moscow Conceptualists

Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.