}

Fernando Botero

May 4 - July 18, 2010

One of the most intriguing artists of the 21st century, Fernando Botero met Turkish art lovers for the first time at the Pera Museum, where a selection of 64 paintings was exhibited. Botero has brought a new interpretation of the aesthetics of our time, and the exhibition depicted this interpretation in six sections - the circus, the bullfight, Latin American people, Latin American life, still lifes and versions from past masters of history of art. The works of the Colombian artist contain many references to his own culture and life, and in a unique style they question the concept of beauty in our century.

This exhibition was achieved with the support of the Honorary Consulate of Colombia, The Spanish Embassy and Instituto Cervantes, Istanbul.

Exhibition Catalogue

Fernando Botero

Fernando Botero

One of the most intriguing artists of the 21st century, Fernando Botero met Turkish art lovers for the first time at the Pera Museum, where a selection of 64 paintings was exhibited....

Video

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.