The workshop is inspired by PƎRⱯ Reverse and the work Masking, urban transformations, which refers to the historical buildings under renovation that are frequently encountered in the city, covered with a masking fabric. In the workshop led by artist Deniz Kulaksızoğlu, the participants rethink Istanbul as a place of constant destruction, transformation and reconstruction, with a focus on global capitalist relations. Then, the participants paint an element (this element can be a building, a space, a memory, a person, a dream, a thought, etc.) that has an important place in their past but is no longer the same or that they wish to change in two layers, first with the existing version and then with the version they imagine. These elements undergoing a kind of “intellectual renovation” are photographed and transferred onto the surface of cardboard coffee cups, which also appear in the exhibition. Thus, the process of transforming artistic, cultural and historical values into commercial objects or souvenirs is imitated.
Instructor: Deniz Kulaksızoğlu
Capacity: 10 people
Duration: 120 minutes
Fee per workshop: 350 TL
The event will take place at the Pera Museum (face-to-face).
For more information: ogrenme@peramuzesi.org.tr
About Deniz Kulaksızoğlu
Deniz Kulaksızoğlu (1996, Istanbul) graduated from St. Georg Austrian High School and completed her architecture degree at Technische Universitat Berlin (TU-Berlin). Focusing on the themes of space and image in her practice, Kulaksızoğlu questions the representational systems of perception through the phenomenon of repetition and focuses on the concepts of meaning and meaninglessness.
Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.
Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
