Theater Poster Design

School Groups
Middle School

Face-to-Face

Have you ever been to an ancient city? Have you ever seen an ancient amphitheater? We will discuss and share our opinions about the works of art that are inspired by Byzantine history. Then, we think about a theater play that might have been performed in ancient times and design a poster for this play using paints and pens. In the workshop, we improve our design skills and creativity while learning the relationship between painting and writing.

Materials
Drawing paper
Drawing tools (pastels, markers, etc.)
Pens 

Weekday Online Learning Program
Tuesday, Wednesday, Thursday, Friday 

10:00-10:30
10:45-11:15
11:30-12:00  

Online guided tour and workshop participation fee per person for private schools: 6 TL
Online guided tours and workshops are free of charge for public schools.  

Reservation is required for groups, which should include no less than 10 and no more than 60 participants. After confirmation of the reservation, the workshop link will be sent exclusively to the e-mail address submitted during registration.

Related Exhibition: “What Byzantinism Is This in Istanbul!”: Byzantium in Popular Culture

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Istanbul-Paris-Istanbul: Mario Prassinos

Istanbul-Paris-Istanbul: Mario Prassinos

Mario Prassinos liked Istanbul more than the current Istanbulites of today. It is obvious that you can understand this from the article written by her daughter Catherine Prassinos in the Pera Museum's book on the artist.

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism. 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.