Teachers
Based on the artworks in the exhibition, we talk about the mosaic, which is an art form that has its origins in the floor decorations of antiquity but developed and flourished in the Byzantine Empire into a means of expressing the sacred through imagery. In the workshop, we examine the historical heritage of Istanbul from the perspective of Byzantine art, which we imitate using materials like paper and EVA. We also explore methods of bringing this method into the classroom as well.
Related Exhibition: “What Byzantinism Is This in Istanbul!”: Byzantium in Popular Culture
Materials
Color and glitter EVA paper (sticky back)
Glue
Pictures of iconic Istanbul landmarks
Thick cardboard or paperboard sheets (A4)
Scissors
Ruler
Pens
Pencils
Instructor: Filiz Kara Bilgin
Capacity: 50 participants
Duration: 90 minutes
Click here to view the guidebook for the “What Byzantinism Is This in Istanbul!”: Byzantium in Popular Culture collection exhibition.
Participants will be issued participation certificates via e-mail at the end of the event. The event will take place on the Zoom Meeting app, with a guided online exhibition tour followed by a workshop activity on the exhibition.
Participants must have their webcams and microphones enabled in order for the instructor to see the participants and provide instructions. By registering, participants give their consent for the above.
The event is free of charge. Reservation is required.
For more information: ogrenme@peramuzesi.org.tr
Our quota is full, thank you for your interest.
Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.
Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)