Embodied Stories

Pera Adult

  • March 24, 2023 / 19:00

In this workshop, inspired by Paula Rego's works in which she tells fairy tale stories that sometimes contain sections from her life, the participants use a dance therapy technique, "Authentic Movement", and transfer this movement onto a large piece of paper. Then, they interpret their story consisting of lines, symbols and colors before revealing it through moving and painting. The workshop invites everyone to experience bodily movement's artistic and healing aspects.

Related Exhibition: Paula Rego: The Story of Stories

Instructor: Derya Dinç
Ages: 18 years and older
Capacity: 10 people
Duration: 90 minutes
Fee per workshop: 150 TL
Fee per workshop for students: 75 TL

This event will take place at the Pera Museum (face-to-face).
For more information: ogrenme@peramuzesi.org.tr

About Derya Dinç
Dance & movement therapist and multidisciplinary performance artist. She works with the Asylarbeitskreis Heidelberg e.V. association and social work group in Germany as a dance and movement therapist with refugee children and women in projects focused on social change, adaptation, community development and empowerment.

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

Game of Mangala

Game of Mangala

Three figures in Eastern dress are shown in repose against an exotic landscape, smoking pipes and playing mangala. Inventories of the royal collections from 1739 identify the members of this group as the royal eunuch Matthias and two odalisques. 

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”. 

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.