Decollage Workshop

Teachers

  • May 24, 2022 / 19:30

We’ll have a conversation with teachers on how art was used as a propaganda tool by studying the works in our exhibition, as well as the collage and decollage work created by Dadaists in the 1930s to protest fake news. Next, we’ll host our workshop on communication using art and make our own decollage work by using news articles and images from contemporary print media. In the end, we’ll make suggestions on some of the art projects teachers can do with their students. 

Related Exhibition: And Now the Good News: Works from the Nobel Collection

Materials
Newspaper and Magazine Pages
Glue
Scissors
Pencil
Paper Board (A4)
Acrylic or Poster Paint
Brush

Instructor: Filiz Kara Bilgin
Capacity: 50 participants
Duration: 90 minutes 

We ask that participants bring their own materials for use in the workshops.The participants’ cameras and microphones need to be enabled so that the instructor can see the participants and make participant-specific suggestions. Each participant’s consent is assumed upon registration.

The event is free of charge. Reservation is required.

For more information: ogrenme@peramuzesi.org.tr

Our quota is full, thank you for your interest.

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Between Impressionism and Orientalism

Between Impressionism and Orientalism

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined. Through the exhibition, we will be sharing detailed information about the artist and the artworks. 

The Painter of Venice

The Painter of Venice

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.