We kick off by sharing examples of dance and movement therapy and practical examples, then we do a warm-up exercise and start moving our bodies. For the movement improvisation, we find inspiration in artist Jean-Baptiste Hilair's Yeni Camii and the Port of Istanbul painting from the Intersecting Worlds: Ambassadors and Painters exhibition, included in the Suna and İnan Kıraç Foundation Collection Exhibitions. We work on various themes such as posture, costume and strength, with inspiration from the Daughter of the English Ambassador Riding in a Palanquin by Fausto Zonaro. This workshop calls for a curiosity about the body and offers a discovery thereof!
For the workshop, please find a place where you can move freely.
At the end of the event, participants will receive a certificate by e-mail.
The event will be held using the Zoom Meeting application. The links to the workshops will only be shared with ticketed participants. Your camera and microphone must be turned on in order for the instructor to see the participants and give personalized instructions. Every participant who buys a ticket is considered to have accepted these conditions.
Related Exhibition: Intersecting Worlds: Ambassadors and Painters
Workshop led by: Seda Güney
Capacity: 20 participants
Fee per workshop: 45 TL
For detailed information: ogrenme@peramuzesi.org.tr
About Seda Güney
Seda Güney works as a dance movement therapist, instructor and supervisor, focusing on children, adults, people with special needs and refugees in the fields of social change, trauma rehabilitation, creativity and kinesthetic learning. She is a professional member of the Association for Dance and Movement Psychotherapy (AMDP) in the UK. She has worked with projects and institutions that deliver creative solutions for children, psychosocial support and empowerment for the youth and refugee relief, developed content as an instructor and led workshops in Turkey and abroad.
@dancetherapyforsocialchange
As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?
In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.
Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
