Online Escape Game: Save the Legacy

January 27 - April 19, 2023

Pera Museum Learning Programs organizes an online escape game. Participants explore the collection exhibits of the Pera Museum through puzzles and decipher the codes associated with the exhibitions.

In the online game prepared for adults, teams solve the codes, complete the tasks, and win the war of humanity against Artificial Intelligence. The game is developed within the scope of the InnoMaDE (Innovative Museums for a Digital Europe) project carried out in cooperation with the Suna and İnan Kıraç Foundation Pera Museum and the Creative Business Network, under the coordination of Istanbul University-Cerrahpaşa. We visit the exhibits online, not only becoming the museum's audience but also getting involved in the adventure of rescuing the works of art. You are invited to this fascinating online adventure at Pera Museum!

The event is free of charge. Reservation is required.

The event will take place on the Zoom Meeting application under the guidance of a game master. Your camera and microphones must be kept open. This event is supported by the Erasmus+ Programme.

For more information: ogrenme@peramuzesi.org.tr

 

 

March 10

19:00 Save the Legacy

20:30 Save the Legacy

March 15

19:00 Save the Legacy

20:30 Save the Legacy

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.