Special Screening: Censor

August 6 - 7, 2022

Pera Film presents Censor, a special screening parallel to the exhibition, And Now the Good News opened in April at Pera Museum.

Taking the newspaper as an intellectual starting point, And Now the Good News focuses on the relationship between text and news, the ways in which the invention of photography shaped society, and the powerful effect totalitarian systems have on mass media. Besides that, set in the 1980s, at a time when the media's exaggerated debate about the impact of violent videos on society was at its height, Censor tells the story of Enid as she tries to dissolve the line between fiction and reality.

Praised by Heavyhorror.com with the words "surreal and striking as well as strangely disturbing" and drawing attention with its innovative language, Censor is at Pera Film on 6 and 7 August!

Free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

August 6

17:00 Censor

August 7

17:00 Censor

Censor

Censor

Program Trailer

Special Screening: Censor

Pera Film presents Censor, a special screening parallel to the exhibition, And Now the Good News opened in April at Pera Museum.

 

And Now the Good News

Focusing on the relationship between mass media and art, the exhibition entitled And Now the Good News brings together a comprehensive selection of works from the Annette and Peter Nobel Collection.

And Now the Good News

Bruce Nauman Look At Me!

Bruce Nauman Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!.

Giacometti & the Human Figure

Giacometti & the Human Figure

Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.  

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.