Special Screening: Censor

August 6 - 7, 2022

Pera Film presents Censor, a special screening parallel to the exhibition, And Now the Good News opened in April at Pera Museum.

Taking the newspaper as an intellectual starting point, And Now the Good News focuses on the relationship between text and news, the ways in which the invention of photography shaped society, and the powerful effect totalitarian systems have on mass media. Besides that, set in the 1980s, at a time when the media's exaggerated debate about the impact of violent videos on society was at its height, Censor tells the story of Enid as she tries to dissolve the line between fiction and reality.

Praised by Heavyhorror.com with the words "surreal and striking as well as strangely disturbing" and drawing attention with its innovative language, Censor is at Pera Film on 6 and 7 August!

Free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

August 6

17:00 Censor

August 7

17:00 Censor

Censor

Censor

Program Trailer

Special Screening: Censor

Pera Film presents Censor, a special screening parallel to the exhibition, And Now the Good News opened in April at Pera Museum.

 

And Now the Good News

Focusing on the relationship between mass media and art, the exhibition entitled And Now the Good News brings together a comprehensive selection of works from the Annette and Peter Nobel Collection.

And Now the Good News

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques. 

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.