In the Twilight of White Nights

June 16 - 28, 2017

Pera Film is inviting you to the longest days and white nights! The summer solstice is approaching and the number of minutes of daylight is rapidly increasing. The program In the Twilight of White Nights, a selection of Nordic summer films, gets its name from the lyrics by Nordic pop-star Oh Land. The sun almost never sets in these films. Bright summer nights bring unending summer parties, but at times insomnia and depression tag along. Long summer days can create new beginnings for people; families come together, teenagers fall in love and nature can take over!

Come join us and let’s experience the sun of Nordic cinema together!

 

in collaboration

June 16

19:00 Out of Nature

21:00 Insomnia

June 17

14:00 Insomnia

16:00 A Summer Tale

18:30 White Night Wedding

June 18

15:00 A Summer Tale

17:00 Out of Nature

June 21

19:00 White Night Wedding

June 24

14:00 Heartstone

June 28

19:00 Heartstone

Heartstone

Heartstone

Out of Nature

Out of Nature

White Night Wedding

White Night Wedding

A Summer Tale

A Summer Tale

Insomnia

Insomnia

5 Films That Inspire Marcel Dzama

5 Films That Inspire Marcel Dzama

Marcel Dzama’s connection to cinema forms the foundation of his entire work, from drawings to video pieces. The five films below stand out as key sources of inspiration that have shaped his narrative style.

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”. 

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.