I’m Here! III
World AIDS Day

December 1 - 14, 2019

Pera Film’s special film program dedicated to the World AIDS Day, I’m Here!, continues, with this year’s iteration set to take place between December 1 and December 14. The program will present a collection of seven short films by Visual AIDS, a contemporary art organization established in 1988 and committed to spreading awareness on AIDS/HIV, that explore the impact of arts on activism, alongside videos, experimental shorts and documentaries by various artists from the 80s to today.

This program’s screenings are free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

#WorldAIDSDay

in collaboration

December 1

19:00 Still Beginning

December 5

19:00 (In) Visible Women

Sea in the Blood

December 6

21:00 Still Beginning

December 7

15:00 They are lost to vision altogether

December 10

19:00 (In) Visible Women

Sea in the Blood

December 14

15:00 They are lost to vision altogether

They are lost to vision altogether

They are lost to vision altogether

(In) Visible Women

(In) Visible Women

Sea in the Blood

Sea in the Blood

I Remember: A Film About Joe Brainard

I Remember: A Film About Joe Brainard

Still Beginning

Still Beginning

Program Trailer

I’m Here! III
World AIDS Day

Pera Film’s special film program dedicated to the World AIDS Day, I’m Here!, continues.

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Today we are thrilled to present the third playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Serenades to the Sun is presented by Kornelia Binicewiczon Pera Museum’s Spotify account.

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.