I’m Here! III
World AIDS Day

December 1 - December 14, 2019

Pera Film’s special film program dedicated to the World AIDS Day, I’m Here!, continues, with this year’s iteration set to take place between December 1 and December 14. The program will present a collection of seven short films by Visual AIDS, a contemporary art organization established in 1988 and committed to spreading awareness on AIDS/HIV, that explore the impact of arts on activism, alongside videos, experimental shorts and documentaries by various artists from the 80s to today.

This program’s screenings are free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

#WorldAIDSDay

in collaboration

December 1

19:00 Still Beginning

December 5

19:00 (In) Visible Women

Sea in the Blood

December 6

21:00 Still Beginning

December 7

15:00 They are lost to vision altogether

December 10

19:00 (In) Visible Women

Sea in the Blood

December 14

15:00 They are lost to vision altogether

They are lost to vision altogether

They are lost to vision altogether

(In) Visible Women

(In) Visible Women

Sea in the Blood

Sea in the Blood

I Remember: A Film About Joe Brainard

I Remember: A Film About Joe Brainard

Still Beginning

Still Beginning

Program Trailer

I’m Here! III
World AIDS Day

Pera Film’s special film program dedicated to the World AIDS Day, I’m Here!, continues.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

Nam June Paik Video Art’s Pioneer

Nam June Paik Video Art’s Pioneer

Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.