38th Istanbul Film Festival
National Documentary Competition

April 5 - 16, 2019

Pera Film is hosting 38th Istanbul Film Festival! As part of the festival Pera Film will be screening the National Short Film Competition, National Documentary Competition and the program Cinemania, as well as other screenings.

Check out the details here.

April 11

13:30 Come Rain or Shine

16:00 Do You Think God Loves Immigrant Kids, Mom?

April 12

11:00 Kâzım

13:30 Dog Movie

21:30 Heroes

April 13

11:00 Heads and Tails

16:00 Aether

19:00 Time to Leave

April 14

16:00 Clouds

Gulyabani

19:00 Guardian of Angels

Come Rain or Shine

Come Rain or Shine

Do You Think God Loves Immigrant Kids, Mom?

Do You Think God Loves Immigrant Kids, Mom?

Kâzım

Kâzım

Dog Movie

Dog Movie

Guardian of Angels

Guardian of Angels

Clouds

Clouds

Gulyabani

Gulyabani

Heroes

Heroes

Heads and Tails

Heads and Tails

Aether

Aether

Time to Leave

Time to Leave

Program Trailer

38th Istanbul Film Festival
National Documentary Competition

Pera Film is hosting 38th Istanbul Film Festival! As part of the festival Pera Film will be screening the Documentary Time, National Short Film Competition, National Documentary Competition and the program Cinemania, as well as other screenings.

Interview with Isabel Muñoz <br> By Merve Akar Akgün

Interview with Isabel Muñoz
By Merve Akar Akgün

Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally. 

Midnight Horror Stories:  The Moon Pool <br> Işın Beril Tetik

Midnight Horror Stories: The Moon Pool
Işın Beril Tetik

About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster… 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.