}

Wall, Arch, Dome

Byzantine Istanbul in the Eyes of Ottoman Photographers

April 13 - July 1, 2007

One of the most outstanding characteristics of İstanbul's Byzantine monuments, as captured by Ottoman photographers, is their role as priceless documents in the city's history. The period between the second half of the 19th century and the turn of the 20th century is marked by profound changes in İstanbul with respect to urban structure, historical texture and monuments. A careful eye readily notices the considerable transformations spread over a hundred / hundred and fifty years in İstanbul city walls, Galata Tower, Hagia Sophia and the Hippodrome area. These photographs are full of valuable clues for today's researchers, restorers, architectures and urban planners.

Nonetheless, there is something beyond the obvious in these images: İstanbul's remaining city walls, arches, and domes of a faraway past continue to survive in another form of existence in these old photographs, which reflect an age closer to us in time, yet just as rapidly vanished. The discolored surfaces permeating an indescribable sense of the old add another layer, another epoch to the historical richness of the city.

Comprised of a selection from the Suna and İnan Kıraç Foundation İstanbul Photographs Collection, Wall, Arch, Dome exhibition (much like From Konstantiniyye to İstanbul exhibition in late 2006) took us on a journey in a different time dimension. Yet, on this occasion, we find ourselves in a İstanbul more ancient, more distant than the Republican or Ottoman days; it is a Byzantine İstanbul of monuments, ruins and almost imperceptible traces from thousands of years past...

Exhibition Catalogue

Wall, Arch, Dome

Wall, Arch, Dome

One of the most outstanding characteristics of Istanbul's Byzantine monuments, as captured by Ottoman photographers, is their role as priceless documents in the city's history. The period between...

Horror Vacui <br> Alejandro Almanza Pereda

Horror Vacui
Alejandro Almanza Pereda

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.