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sea/see/saw

Commissioned Installation by Artists Caitlind r.c. Brown & Wayne Garrett

June 5, 2015 - February 14, 2016

In 2015 Pera Museum celebrated its 10th anniversary. To commemorate this celebration, the museum commissioned Canadian artists Caitlind r.c. Brown and Wayne Garrett to create a special and inspiring artwork for the museum’s façade.

Couched in the historic quarter of Tepebaşı, Beyoğlu neighborhood the impressive museum building was originally conceived as the Bristol Hotel – originally designed by Greek architect Achilleas Manussos in the late 19th century. In 2005, the building was renovated preserving the exterior façade.

Conceived in response to Pera Museum’s historic façade for the cultural space’s 10th anniversary, “sea/see/saw” invited viewers to re-examine a familiar space through a new lens. sea/see/saw’s use of lenses playfully spoke to changes in perception, celebrating Pera Museum’s contribution to Istanbul’s cultural landscape, with an eye focused on the future. Constructed from 10,000 eyeglass lenses, the installation intended to mirror the dynamic and shimmering surface of the Golden Horn, and introduced movement to the otherwise static structure, as drawn by the wind. Built from used glasses that merge to create a simple, geometric form, sea/see/saw invited viewers to engage in a momentary shift of perspective.

If eyes are “windows to the soul,” how do lenses revise our vision of the world around us? Do our former accessories carry faint ghosts of those who used them? As the materiality of the installation became apparent, the watchers became the watched, and this spectacle of spectacles took on another subtext as an icon for collective vision, compound perspectives, and the power of collaborative sight.

Mersad Berber

Mersad Berber

Mersad Berber was born in Bosanski Petrovac, Kingdom of Yugoslavia, on January 1st. He was the first son of Muhammed Berber and Sadika Berber, a well-known weaver and embroiderer. A year later, the family moved to Banja Luka after the city had suffered damage from the World War II.

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.