August 13 - October 4, 2009
Octet: Selected Works from the School of Visual Arts, was an exhibition of 111 artworks, which showcased painting, drawing, sculpture, installation, photography and the digital arts, created by faculty, alumni and students of the Fine Arts Department at the School of Visual Arts in New York City.
Octet exhibited an amalgam of diverse threads operating within an international cultural platform enabling the discussion of current issues. The exhibition consisted of eight categories describing contemporary visual art: Word As Image, Post-Pop and Tabloid, Material Matters, The Corporeal and the Divine, World Dramas, Narrative Imperatives, Relational Aesthetics and Identity and Identity Politics.
The selection of work exhibited in Octet presented art's freedom from the constraints of time and space, allowing our desire for understanding, considering and reconsidering systems of knowledge production, aesthetic experience, and participation in a social context to be ignited.
New York School of Visual Arts, one of the leading art institutions in the United States, has upheld its mission and vision for the last 60 years, through the training of professional artists and/or individuals excelling in their related fields. Pera Museum, where young artists meet viewers through a variety of collaborations every year, was pleased to joined forces to create an international cultural platform with this exhibition enabling discussions of the contemporary issues of art.
Curators: Suzanne Anker, Peter Hristoff
Exhibition Catalogue
Octet: Selected Works from the School of Visual Arts was an exhibition of 111 artworks, which showcased painting, drawing, sculpture, installation, photography and the digital arts,...
The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
