August 13 - October 4, 2009
Octet: Selected Works from the School of Visual Arts, was an exhibition of 111 artworks, which showcased painting, drawing, sculpture, installation, photography and the digital arts, created by faculty, alumni and students of the Fine Arts Department at the School of Visual Arts in New York City.
Octet exhibited an amalgam of diverse threads operating within an international cultural platform enabling the discussion of current issues. The exhibition consisted of eight categories describing contemporary visual art: Word As Image, Post-Pop and Tabloid, Material Matters, The Corporeal and the Divine, World Dramas, Narrative Imperatives, Relational Aesthetics and Identity and Identity Politics.
The selection of work exhibited in Octet presented art's freedom from the constraints of time and space, allowing our desire for understanding, considering and reconsidering systems of knowledge production, aesthetic experience, and participation in a social context to be ignited.
New York School of Visual Arts, one of the leading art institutions in the United States, has upheld its mission and vision for the last 60 years, through the training of professional artists and/or individuals excelling in their related fields. Pera Museum, where young artists meet viewers through a variety of collaborations every year, was pleased to joined forces to create an international cultural platform with this exhibition enabling discussions of the contemporary issues of art.
Curators: Suzanne Anker, Peter Hristoff
Exhibition Catalogue
Octet: Selected Works from the School of Visual Arts was an exhibition of 111 artworks, which showcased painting, drawing, sculpture, installation, photography and the digital arts,...
With the Topkapı Palace, the center of political authority until the 19th century, and many other examples of classical Ottoman and Byzantine architecture included in its premise the Historical Peninsula is the heart of the Empire.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
How can the future be imagined by looking at a collection or an archive? The lasting quality of ceramics allows us to ponder how the future might be remembered through a ceramics collection, since they render conceivable time eternal.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
