August 13 - October 4, 2009
Octet: Selected Works from the School of Visual Arts, was an exhibition of 111 artworks, which showcased painting, drawing, sculpture, installation, photography and the digital arts, created by faculty, alumni and students of the Fine Arts Department at the School of Visual Arts in New York City.
Octet exhibited an amalgam of diverse threads operating within an international cultural platform enabling the discussion of current issues. The exhibition consisted of eight categories describing contemporary visual art: Word As Image, Post-Pop and Tabloid, Material Matters, The Corporeal and the Divine, World Dramas, Narrative Imperatives, Relational Aesthetics and Identity and Identity Politics.
The selection of work exhibited in Octet presented art's freedom from the constraints of time and space, allowing our desire for understanding, considering and reconsidering systems of knowledge production, aesthetic experience, and participation in a social context to be ignited.
New York School of Visual Arts, one of the leading art institutions in the United States, has upheld its mission and vision for the last 60 years, through the training of professional artists and/or individuals excelling in their related fields. Pera Museum, where young artists meet viewers through a variety of collaborations every year, was pleased to joined forces to create an international cultural platform with this exhibition enabling discussions of the contemporary issues of art.
Curators: Suzanne Anker, Peter Hristoff
Exhibition Catalogue
Octet: Selected Works from the School of Visual Arts was an exhibition of 111 artworks, which showcased painting, drawing, sculpture, installation, photography and the digital arts,...
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
