November 23, 2021 - March 6, 2022
Notes for Tomorrow features artworks from around the world, brought together to reflect on a new global reality ushered in by the Covid-19 pandemic. With the ever-present backdrop of the crisis, Independent Curators International (ICI) turned to 30 curators from 25 countries to question and reassess values and relevance in contemporary culture, and to share an artwork they believe is vital to be seen today.
Many of the artworks in Notes for Tomorrow address spirituality as a grounding mechanism, sharing ways to make sense of the world when so much is in doubt. Some engage with specific mythology, while others reveal political structures that may or may not still be standing. The exhibition addresses art’s potential in the construction of collective memory in a global era. In this cultural moment of transition, each work is a source of inspiration from the recent past and a guiding perspective for the future.
Madiha Aijaz, Ernesto Bautista, Maeve Brennan, Vajiko Chachkhiani, Nothando Chiwanga, Shezad Dawood, Demian DinéYazhi', Cao Guimarães, Ilana Harris-Babou, Rei Hayama, Amrita Hepi, INVASORIX, Tamás Kaszás, Ali Kazma, David Lozano, Mona Marzouk, Joiri Minaya, Peter Morin, Daniela Ortiz, Kristina Kay Robinson, Luiz Roque, Mark Salvatus, Ibrahima Thiam, u/n multitude, Wayne Kaumualii Westlake.
Charles Campbell, Freya Chou, Giulia Colletti, Veronica Cordeiro, Allison Glenn, Tessa Maria Guazon, PJ Gubatina Policarpio, Ivan Isaev, Ross Jordan, Drew Kahuʻāina Broderick and Josh Tengan, Esteban King Alvarez, João Laia, Luis Carlos Manjarrés Martínez, Fadzai Veronica Muchemwa, Lydia, Y. Nichols, Marie Hélène Pereira, Balimunsi Philip, Josseline Pinto, Florencia Portocarrero, Shahana Rajani, Rachel Reese, Marina Reyes Franco, Mari Spirito, Alexandra Stock, Eszter Szak.cs, Abhijan Toto, Fatoş Üstek, Su Wei, Sharmila Wood.
Ibrahima Thiam, Mame Ndeuk Daour Mbaye, 2020
Photography, collection of the artist.
INVASORIX, Here No One Is Illegal, 2014
INVASORIX (cc) by-sa 4.0
Vajiko Chachkhiani, Winter which was not there, 2017
Courtesy of the artist, Daniel Marzona, Berlin, and SCAI The Bathhouse, Tokyo.
David Lozano, Hortua Inhospitalario, 2016/2017
Digital photograph, courtesy of the artist.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
Tuesday - Saturday 10:00 - 19:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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