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Notes for Tomorrowww

November 23, 2021 - March 6, 2022

Notes for Tomorrow features contemporary artworks brought together to reflect on the cultural transition ushered in by the COVID-19 global pandemic. With the ever-present backdrop of the crisis, Independent Curators International (ICI) turned to 30 curators from 25 countries to question and reassess values and relevance in contemporary culture, and to share an artwork they believe is vital to be seen today. 

Many of the artworks in Notes for Tomorrow address spirituality as a grounding mechanism, sharing ways to make sense of the world when so much is in doubt. Some engage with specific mythology, while others reveal political structures that may or may not still be standing. The exhibition addresses art’s potential in the construction of collective memory in a global era. In this cultural moment of transition, each work is a source of inspiration from the recent past and a guiding perspective for the future. 

Artists:
Madiha Aijaz, Ernesto Bautista, Maeve Brennan, Vajiko Chachkhiani, Luke Luokun Cheng, Nothando Chiwanga, Shezad Dawood, Demian DinéYazhi’, Cao Guimarães, Ilana Harris-Babou, Rei Hayama, Amrita Hepi, INVASORIX, Tamás Kaszás, Ali Kazma, David Lozano, Mona Marzouk, Joiri Minaya, Peter Morin, Omehen, Daniela Ortiz, Kristina Kay Robinson, Luiz Roque, Mark Salvatus, Yan Shi, Ibrahima Thiam, u/n multitude, Wayne Kaumualii Westlake, A Liberated Library for Education, Inspiration, and Action. 

Curators:
Charles Campbell, Freya Chou, Giulia Colletti, Veronica Cordeiro, Allison Glenn, Tessa Maria Guazon, PJ Gubatina Policarpio, Ivan Isaev, Ross Jordan, Drew Kahuʻāina Broderick and Josh Tengan, Esteban King Alvarez, João Laia, Luis Carlos Manjarrés Martínez, Fadzai Veronica Muchemwa, Lydia, Y. Nichols, Marie Hélène Pereira, Balimunsi Philip, Josseline Pinto, Florencia Portocarrero, Shahana Rajani, Rachel Reese, Marina Reyes Franco, Mari Spirito, Alexandra Stock, Eszter Szakács, Abhijan Toto, Fatoş Üstek, Su Wei and Sharmila Wood. 

Notes for Tomorrow is a traveling exhibition organized and produced by Independent Curators International (ICI) and initiated by Frances Wu Giarratano, Becky Nahom, Renaud Proch, and Monica Terrero. The exhibition was made possible with the generous support of the Andy Warhol Foundation for the Visual Arts, VIA Art Fund, and ICI’s Board of Trustees and International Forum.


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Image Credits



Ibrahima Thiam, Mame Ndeuk Daour Mbaye,  2020
Photography, collection of the artist.

INVASORIXHere No One Is Illegal, 2014
Video, 3’06’’
INVASORIX (cc) by-sa 4.0


Vajiko Chachkhiani, Winter which was not there, 2017
Video, 12’30’’
Courtesy of the artist, Daniel Marzona, Berlin, and SCAI The Bathhouse, Tokyo.

David Lozano, Hortua Inhospitalario, 2016/2017
Digital photograph, courtesy of the artist.

Seaside Leisure

Seaside Leisure

Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle. 

Story of José Sancho’s Life

Story of José Sancho’s Life

He was born on April 18, 1935 in the province of Puntarenas, Costa Rica. His family migrated to the capital, San José, where in 1952 he earned a bachelor’s degree from the Lyceum of Costa Rica.

Rational Medicine in Byzantium

Rational Medicine in Byzantium

Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.