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Marc Chagall

Life and Love: Prints, Drawings and Paintings

October 23, 2009 - January 24, 2010

The works of outstanding 20th century artist Marc Chagall were exhibited in Turkey for the very first time at the Pera Museum.

The 160 works by Chagall (b. 1887, Vitebsk, Russia, d. 1985, Saint-Paul-de-Vence, France) were comprised of prints, drawings and paintings selected from the rich collection of The Israel Museum, Jerusalem.

The exhibition showcased a unique selection that revealed Chagall's multi-faceted personality and vivid world of imagination. Accompanying the drawings, which reflect Chagall’s life and his love for his first wife Bella, the exhibition also showcased his illustrations for the Holy Book and for literary works such as The Fables of La Fontaine, and Gogol's Dead Souls. Representing his signature style, themes such as Russian folklore, Jewish traditions and lovers stand out in Chagall's works.

Exhibition Catalogue

Marc Chagall

Marc Chagall

The works of outstanding 20th century artist Marc Chagall were exhibited in Turkey for the very first time at the Pera Museum. The 160 works by Chagall were comprised of prints,...

Video

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.