}

İhsan Cemal Karaburçak

April 7 - July 3, 2011

As one of the most original artists of 20th century Turkish painting, İhsan Cemal Karaburçak is among the rare autodidactic artists who developed his art by refusing to engage in academic training.

Karaburçak interest in painting grew during his long years in public service. He transformed one of the rooms of his house into a modest studio in Ankara where he spent most of his life. He is one of the well-kept secrets of Turkish painting, whose true value is further appreciated over the years. Retrospective in nature, this exhibition provided the opportunity to re-familiarize oneself with İhsan Cemal Karaburçak, who is recognized as much for his authentic style, as for his colors, particularly his signature "purple" that left an imprint on his canvases.

İhsan Cemal Karaburçak, picked up a paintbrush for the first time in 1930, when he was enrolled at École Universelle in Paris, where he was working at the Directorate of Telegraph Services. Despite his hopes of developing his conception of art, École Universelle disappointed him with its rigid rules of instruction. An avid follower of modern art, he created a unique pictorial language without being influenced by the movements of his period. Between 1930 and 1970, Karaburçak produced many works including portraits, still-lifes, cityscapes, nocturnes, landscapes, abstractions, and abstract works.

“I am a painter of color. Since the sun kills all the colors, I may be inclined to like nature more when it grows dark -when clouds accumulate, or the earth, the trees, and the buildings are bathed in rain, allowing colors to emerge. I must be selecting dark shades for I am charmed by the lights drifting through or the illumination that appears underneath. Perhaps it is a question of a pessimistic or melancholic disposition or nature, who knows? Yet, whatever the reasons may be, since I attain satisfactory results and create art for art's sake, I am happy with my art, and by extension, with my life.”
İhsan Cemal Karaburçak, 1968

Exhibition Catalogue

İhsan Cemal Karaburçak

İhsan Cemal Karaburçak

As one of the most original artists of 20th century Turkish painting, İhsan Cemal Karaburçak is among the rare autodidactic artists who developed his art by refusing to engage in...

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Is he sping on us?  <br>Vajiko Chachkhiani

Is he sping on us?
Vajiko Chachkhiani

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.