}

Flash Back

Yannick Vu & Ben Jakober Works 1982 - 2012

October 13, 2012 - January 6, 2013

The exhibition Flash Back: Yannick Vu & Ben Jakober Works 1982 – 2012, presented simultaneously with the Golden Children, 16th-19th Century European Portraits exhibition, allowed insight into different aspects of the couple, not only as artists but also as collectors, highlighting 30 years of creativity.

The exhibition, Flash Back presented individual early works of Yannick Vu and Ben Jakober, together with their collaborative works beginning from 1993. As Flash Back allowed us to contemplate and understand the art of Vu and Jakober individually, it also enabled us to recognize within the collaborative works a third artist, and appreciate a process engendered by an interaction of different sensitivities in the works created.

Exhibition Catalogue

Flash-Back

Flash-Back

The exhibition Flash Back, Yannick Vu & Ben Jakober Works: 1982 - 2012, allowed insight into different aspects of the couple, not only as collectors but also as artists, highlighting 30...

Video

Fragments of Identity

Fragments of Identity

The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.

Sea Baths

Sea Baths

It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.