Artist Talk
September 8, 2016 / 18:30
Presented as part of Katherine Behar: Data’s Entry exhibition, the artist Katherine Behar will give a talk titled “Optimized, not Optimistic”. In this talk, Behar presents her artwork and discusses the often confounding and sometimes rebellious ways that people and technologies manage to coexist in digital labor.
About Katherine Behar
Katherine Behar explores issues of gender and labor in contemporary digital culture. Her work has been presented at festivals, galleries, and performance spaces throughout North America and Europe. A previous solo exhibition and catalog, Katherine Behar: E-Waste , premiered at the University of Kentucky in 2014 and traveled to Boston Cyberarts Gallery. Since 2005 she has collaborated with Marianne M. Kim in the performance art duo Disorientalism, which studies how technologized work, junk culture, and consumerism mediate race and gender. Her publications And Another Thing: Nonanthropocentrism and Art, coedited with Emmy Mikelson, and Bigger than You: Big Data and Obesity were both published by punctum books in 2016. She is the editor of ObjectOriented Feminism, forthcoming in 2016 from University of Minnesota Press. Behar holds an MFA in combined media from Hunter College, an MA in media ecology from New York University, and a BFA from the School of the Art Institute of Chicago. She is based in New York and is currently assistant professor of new media arts at Baruch College.
Free of admissions, drop in.
The talk will be in English with simultaneous translation to Turkish.
Temporary Exhibition
Pera Museum presented Katherine Behar: Data’s Entry, the first museum survey exhibition of this New York-based artist who moves fluidly between sculpture, performance, video, and writing.
Click for more information about the exhibition.
“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.”
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Works by a large number of students from the Academy of Fine Arts in Sarajevo deal with current and often painful themes from the socio-political, economic and cultural reality, raising awareness, appealing, warning, opening issues and offering new interpretations.
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
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