Artist Talk
September 8, 2016 / 18:30
Presented as part of Katherine Behar: Data’s Entry exhibition, the artist Katherine Behar will give a talk titled “Optimized, not Optimistic”. In this talk, Behar presents her artwork and discusses the often confounding and sometimes rebellious ways that people and technologies manage to coexist in digital labor.
About Katherine Behar
Katherine Behar explores issues of gender and labor in contemporary digital culture. Her work has been presented at festivals, galleries, and performance spaces throughout North America and Europe. A previous solo exhibition and catalog, Katherine Behar: E-Waste , premiered at the University of Kentucky in 2014 and traveled to Boston Cyberarts Gallery. Since 2005 she has collaborated with Marianne M. Kim in the performance art duo Disorientalism, which studies how technologized work, junk culture, and consumerism mediate race and gender. Her publications And Another Thing: Nonanthropocentrism and Art, coedited with Emmy Mikelson, and Bigger than You: Big Data and Obesity were both published by punctum books in 2016. She is the editor of ObjectOriented Feminism, forthcoming in 2016 from University of Minnesota Press. Behar holds an MFA in combined media from Hunter College, an MA in media ecology from New York University, and a BFA from the School of the Art Institute of Chicago. She is based in New York and is currently assistant professor of new media arts at Baruch College.
Free of admissions, drop in.
The talk will be in English with simultaneous translation to Turkish.
Temporary Exhibition
Pera Museum presented Katherine Behar: Data’s Entry, the first museum survey exhibition of this New York-based artist who moves fluidly between sculpture, performance, video, and writing.
Click for more information about the exhibition.
I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
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