How I Became an Artist: Marko Mäetamm

Artist in the House!

June 7, 2017 / 16:00

Presented in relation to our Doublethink: Double vision exhibition, artist Marko Mäetamm will be live drawing on Pera Museum’s elevator and restroom walls openly in public. Mäetamm will re-create his work “How I Became an Artist” and following this, he and curator Alistair Hicks will be discussing his works.

Marko Mäetamm (b. 1965, Tallinn)is a painter, video and installation artist. Upon graduating from Estonian Academy of the Arts, he has exhibited internationally and represented Estonia at the 52nd Venice Biennial (2007) and at 50th Venice Biennial (2003) as a part of artists' duo John Smith (with Kaido Ole). Throughout his practice, the artist’s primary focus has been on family life. Treating the family as a microcosm of a wider socio-political and economic models, Mäetamm collects petty every-day situations, presenting them filtered through a prism of his unmistakable dark humour.

Temporary Exhibition

Doublethink
Double vision

Thinking has changed radically, but many people don't appear to have noticed. Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.

Doublethink <br>Double vision

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Ottoman Music and Entertainment from the Perspective of Painters

Ottoman Music and Entertainment from the Perspective of Painters

When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.