How I Became an Artist: Marko Mäetamm

Artist in the House!

June 7, 2017 / 16:00

Presented in relation to our Doublethink: Double vision exhibition, artist Marko Mäetamm will be live drawing on Pera Museum’s elevator and restroom walls openly in public. Mäetamm will re-create his work “How I Became an Artist” and following this, he and curator Alistair Hicks will be discussing his works.

Marko Mäetamm (b. 1965, Tallinn)is a painter, video and installation artist. Upon graduating from Estonian Academy of the Arts, he has exhibited internationally and represented Estonia at the 52nd Venice Biennial (2007) and at 50th Venice Biennial (2003) as a part of artists' duo John Smith (with Kaido Ole). Throughout his practice, the artist’s primary focus has been on family life. Treating the family as a microcosm of a wider socio-political and economic models, Mäetamm collects petty every-day situations, presenting them filtered through a prism of his unmistakable dark humour.

Temporary Exhibition

Doublethink
Double vision

Thinking has changed radically, but many people don't appear to have noticed. Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.

Doublethink <br>Double vision

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.