Talk
March 11, 2017 / 15:30
Pera Film’s Forms and Politics of Yugoslav Experimental Film program brings together lesser known films made by artists in socialist Yugoslavia between 1963 and 1987. Sezgin Boynik, the curator of this program, will further discuss and contextualize the specific conditions of experimental filmmaking in socialist Yugoslavia and Eastern Europe, the historical and social situation in which they were produced.
This quest for new language through abstraction is the red thread of the program. How to read abstraction politically? In which way, can we trace the inscription of the concrete world into abstracted imagery? In what way the abstraction of the 1970s corresponds to our contemporary situation? Following these questions, we will try to understand the relationship between the inner forms of art and the logic of the outside world. It is this precise question that the program wants to ask and try to actualize with references to the actual situation of political art practice.
Free of admissions, drop in. This event will take place in the auditorium. The talk will be in English with simultaneous Turkish translation.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)