“Excavating the Future”
Bahia Shehab

Artist Talk

June 9, 2016 / 18:30

Artist Bahia Shehab will give a talk titled “Excavating the Future.” This event is presented in conjunction to the Jameel Prize 4 exhibition organised by the Victoria and Albert Museum, London in partnership with Art Jameel, and in collaboration with the Pera Museum.

About Bahia Shehab
Bahia Shehab is a Lebanese-Egyptian artist, designer and art historian. She is associate professor of design, director of the visual cultures program and founder of the graphic design program at The American University in Cairo. Her artwork has been on display in exhibitions, galleries and streets in Canada, China, Denmark, France, Germany, Italy, Lebanon, Morocco, UAE and the US. The documentary Nefertiti's Daughters featuring her street artwork during the Egyptian uprising was released in 2015. Her book "A Thousand Times NO: The Visual History of Lam-Alif" was published in 2010 and the artwork by the same title is on the shortlist for the V&A’s Jameel Prize for 2016. She is a 2012 TED Fellow and a 2016 TED Senior Fellow. Bahia was selected as one of BBC’s 100 Women for two consecutive years, in 2013 and 2014.

Free of admissions, drop in.
The talk will be in English with simultaneous translation to Turkish.

In partnership with

Temporary Exhibition

Jameel Prize 4

Jameel Prize 4 exhibition in Istanbul organized by the Victoria and Albert Museum, London in partnership with Art Jameel, and in collaboration with the Pera Museum.

Jameel Prize 4

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos. 

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.