“Can Nudity Be Translated?”
Deniz Artun

Talk

January 13, 2016 / 19:00

The presentation entitled, “Can Nudity Be Translated?” invites the audience to establish a connection between some of the cornerstone works in the “Bare, Naked, Nude” exhibition and the legendary nudes in the history of French painting. Discovering the ties between artists, paintings, dates of executions, models, and poses brings to light the fundamental role Paris played in the modernization of art in Turkey in the final years of the Ottoman Empire and the early stages of the Republic. Reconsidering, through nudes, the hopes of planting the seeds collected from various Parisian art institutions in Istanbul and Anatolia, also changes are perspective on these nudes.

About Deniz Artun

Deniz Artun graduated from Middle Easter Technical University’s Department of Sociology in 1998. She completed her M.A. in cultural history at NYU with a concentration on the cultural history of France. While in New York, she worked at the Painting and Sculpture Division of Museum of Modern Art (MoMA), in 2000, she began her PhD in cultural anthropology at École des Hautes Études en Sciences Sociales (EHESS) in Paris. As part of her doctoral thesis, she concentrated on artists that went to Paris from the Ottoman Empire and Turkey between 1850 and 1950. She published her research as, “Paris'ten Modernlik Tercümeleri" (Translation of Modernity from Paris), which was released by İletişim Yayınları. Artun has been running Galeri Nev Ankara since 2001. 

Admission to talk with a reduced museum ticket (10TL). Free for Friends of the Museum. Please email resepsiyon@peramuzesi.org.tr to book your place. Please note that the talk language is Turkish.

Temporary Exhibition

Bare, Naked, Nude

Bare, Naked, Nude: A Story of Modernization in Turkish Painting aimed to reveal the transformation from the Ottoman Empire into the Republican Era and how the few secretly made paintings at the turn of the 20th century created a new perspective for present times.

Bare, Naked, Nude

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.